Thursday, 15 September 2011

Auckland art gallery

The original Auckland art museum with a water fall in front


concrete ,glass,steel and funeral bouquets



Keep building the mega mall up and soon well block out the clock tower completley who cares




The Auckland art gallery is now a Mega mall where its free but you still have to pay if I wanted glass ,concrete and steel I would have gone to Auckland hospital WTF

this isnt the Auckland art gallery I remember the one I remember didnt block out the sun and infect the street like leporasy pretty soon they will close offf the whole road so they can expand.



The Auckland art gallery I remember is pictured at the very top I still remember letting my daughter play in the fountain 10 years ago and not having to look through oversized windows to see the trees

I remember space ,sun ,air and a charismatic building with a skyscraping clock attactched to it now this is all but a memory swept away by a fukin mega mall structure that is like walking around in a damn rubiks cube it reminded me of the David Bowie film Labirynth.


It is a shame that the once welcoming feel of days gone by is no longer welcome in the concrete jungle now every one wants space inside but wheres the space outside I think the architects must have ben exconvicts because they didnt give a toss about the out doorspace of the building.


Cold, dank, dark, surgical, shadowy and agrophobic is how I describe this building to me it is no longer the Auckland Art gallery it is far from it should be called the Auckland Art Gallery Mausoleum-a stately or impressive building housing a tomb of memories.


Form and function

Does form follow function or does function follow form ?
the answer to this is neither
form and function are illusions for example what came first the chicken or the egg I know in Grants speech he mentions it was the chicken but I beleive it was the egg the reptilian egg to be precise as chickens evolved from reptiles.
For me as a Maori carver Form and Function are 2 sides of the same coin the spirituality behind my work is the function behind the form and the form of my carvings brings meaning to the function.
confused yet ?
So was I until I realised that my greatest creations actually created themselves like witers who finish award winning novels and at the end say "It practically wrote itself" or when I carve a Taonga I have an Idea of what it will look like in the end but once it is finished it always looks slightly different which leads me to the theory that form and function come second to instinct and meaning .Emma mc Lellan is a prime example of someone who is slave to neither form or funtion and instead creates through a feral instinct in the dark not knowing what a piece may look like when the light is turned on.
Forming without function and creating function without form is experimenting learning growing and is the at the base of indulgence in the world of art.Creating just because.

Thursday, 8 September 2011

Emma Mc Lellan and Xavier Mead

Maha Tomo -LNP NZ election 2011 political poster




Xaveir Meade - Blessed virgin of the barricades















Emma mc Lellan








Emma McLellan








Emma Mc Lellan Is interested in curiosities such as Wunderkammern (wonder room)cabinets which are like miniature museums of collected oddities from the past which began in the 16th century







Her work is heavily influenced by bestiaries also known as beast compendiums from the 12th century.




She builds up layers in her works randomly doing what feels right to her experimenting and gos with the flow she mergers painting and screen printing to create her work she also appropriates William Morris patterns for her backgrounds she uses a dry paint method to achieve a smokey effect in her paintings called scumbling which makes her CMYK screenprints look like paintings




She is interested in genetic engineering and especially mutations because she sees mutations as the catalyst for change I have a different theory though I think survival and evolution is the catalyst to mutations.




Having Kids is what sparked her interest in genetics and hereditary histories.



I find her work very visceral,organic and unplanned and random like Dr Frankenstein she creates a menagerie of mixed up and sewn together believable beasts of beauty but on canvas.


How does Xavier Meade approach screenprinting differently ?






Xavier has a very different approach to screenprinting he is very much concentrated on what is happening in the world around him today right now as opposed to Emma's references to the past



Where Emma's work is quite personal and almost private like looking into a museum window box by yourself Xavier's work is political and public he sees his artwork as a vehicle to take political veiws to street literally.



His work is for the freedom fighters the poor and the illiterate I remember him saying that Mexico has a very low literacy rate so the posters are all about the image not the text and they have to catch the attention.



Xavier is very in touch with indigenous cultures and shows alot of admiration and understanding to the Maori people in his project Purakau he show cases Maori , NZ and Cuban artists and his booklet is translated into Te Reo , Spanish and English.



His art work pictured at the top is called Blessed Virgin of the barricades which is a prayer or an



homage to all the street artists ,political activists, freedom fighters and protestors of the world



The Virgin Mary /Virgin of the barricades is someone for them to pray to which literally illustrates the power of the poster !






I connected well with Xavier as I appreciated his respect for Maori Subsequently we exchanged gifts he gave me a poster booklet of Purakau and I gave him a political poster I had made called LNP (Labour National Politics) NZ election2011 (Pictured at the very top) the Idea for this poster came to me in May2011 I felt strongly about how detrimental nationals policies were against students and minorities and how they see money as power in the blue at the top is John key all the figures are white and the further down the pyramid you go the less empowered you are.

In the red which symbolises labour all the figures are equal and are linked also they are red not white although I concentrated more on the context than the form I was pleased that I made it when I Did it was a raw expression of protest in a poster and I was glad to give Xaveir one of the originals there is still one in the mac suite at the msva and I have ben inspired to make more after hearing Xavier passionately speak about voicing expressions through posters.